zdjecie
diva reincarnation
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diva reincarnation
zdjecie
diva reincarnation
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diva reincarnation
zdjecie
diva reincarnation
zoom
diva reincarnation
zdjecie
diva reincarnation
zoom
diva reincarnation
zdjecie
diva reincarnation
zoom
diva reincarnation
zdjecie
diva reincarnation
zoom
diva reincarnation
zdjecie
diva reincarnation
zoom
diva reincarnation
zdjecie
diva reincarnation
zoom
diva reincarnation
zdjecie
diva reincarnation
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diva reincarnation
zdjecie

performance, London, Warsaw

The audience awaiting the artist first saw a projected photo of a pre-war opera diva inside a cage with a lion. An opera overture played from a vinyl record accompanied this. The image gradually disappeared and a fabric-draped cage appeared with Kozyra inside, dressed in a bodysuit making her resemble an obese woman. The bodysuit, made from special foam, was shaped in a mold taken off a real human body. In a review published in Gazeta Wyborcza, Dorota Jarecka wrote, "The artist offered a parody of opera, of an opera diva who squeezes into an elaborate dress to sing the role of a girl. Here the situation was reversed — the singer's abundant body was on the outside, the girl was inside." Completely "concealed" in this costume and conducted by the Maestro, the artist performed the aria of Olympia — the soulless doll from Offenbach's The Tales of Hoffman.


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